Meine Veranstaltung findet zeitgleich mit der Wollmesheimer Weinvielfalt statt. Acht Weingüter werden geöffnet sein (sechs davon in unserer Straße), 150 Weine werden ausgeschenkt, dazu gibt es andere Speisen und Getränke.
Zwischen den angegebenen Zeiten gibt es kostenlose Weinverkostungsstationen (5 € Weinglaspfand), aber die Veranstaltung geht am Abend weiter.
Kommen Sie, probieren Sie ein paar Weine und sehen Sie sich mein neuestes Werk an. Ich hoffe, Sie können dabei sein!
I’m having my first open studio! Please save the dates:
Thursday, May 9, 11am–6pm
Friday, May 10, 4pm–9pm
I will be offering original paintings, as well as limited edition prints of photographs and artworks.
Red HeadDolomites Blue & GoldThe Yellow MountainGreen ApplesBurnside Bridge, Antietam
Wine Festival
My event coincides with the Wollmesheimer Weinvielfalt. Eight wineries in our village will be open (six on our street), 150 wines will be served, as well as other food and drink.
There will be free wine tasting stations between the hours listed (€5 wine glass deposit), but the event will go later in the evenings.
Come, try some wines, and see my latest work. I hope you can join us!
I am delighted to announce that the second juried photography contest I entered—the 10th Annual Fine Art Photography Awards—also decided to feature my photography. That’s two for two!
I entered a series of five photographs, all taken in the Sexten Dolomites, in South Tyrol, Italy. This was an international competition, with likely tens of thousands of entries. My work was awarded a Nominee status, which means the series was considered for the top prize in the amateur landscape category.
The five photographs awarded (below) are available as limited edition prints, each in three sizes. Click an image for more information:
Red HeadBroken Cliff, DolomitesThe Yellow MountainDolomites Blue & GoldDolomiti Spires in Fog
It’s a bird! It’s a plane! It’s … SUPER CONFUSING?! At least, that’s what I’ve heard from many people; they can’t figure out what this photo is of (more on that below). That’s one reason why it’s wonderful: it grabs your brain and won’t let go.
Selected for exhibit
Douglas McCulloh—the Senior Curator and Interim Executive Director of the California Museum of Photography—apparently thought so, too. He selected my photograph for inclusion in a show titled Wonder, which McCulloh juried.
Needless to say, I’m chuffed. Not only was this the first juried exhibit I entered, but only 60 works by 55 artists were selected, out of likely thousands of entries. I am grateful to both Mr. McCulloh and the Center for Fine Art Photography.
TWO unrelated people actually thought that last one!
But no, this photo, titled Reflecting on the Alpsee, is actually of mounds of dried wetland reeds and grasses on an alpine lake, just below Schwangau Castle in Bavaria, Germany.
With its curious appearance and trippy, colorful reflections (look closely in the dark water’s surface), this photograph draws attention, and begs further examination. It’s a world to get lost in.
I’m holding a RAFFLE for newsletter subscribers only, details below. I also talk about a new painting, two people who inspired me this month (a celebrity and an artist), and my Artist’s Vision. Next, I share a joyous plea to be the artist I always wanted; a muse-poem; and three of my articles about pastel techniques.
Results
It has been a very busy month. The creative breakthrough I wrote about last time has not abated. Motivated, I’m in the studio almost every day for several hours. It’s become my new favorite room in the house.
Therefore, I have finished a new painting! It started as a larger study for a multimedia piece using the same source photo, but became a completed work in its own right.
This mountain is at one end of Italy’s Piano Grande. Here, the valley is full of yellow lentil blossoms, and a fissure caused by tectonic activity—it’s not a river.
News
Enter a raffle to win a print of my latest painting! It needs a title, so I’m open to your ideas. To enter, reply to this email with your title suggestion(s). If I pick yours, you win a print! (If you don’t have a title idea, you can also enter; just reply with the word “raffle” and I’ll add your email to the hat. If I don’t pick anyone’s title, I’ll randomly draw a winner from all entries.) Deadline to enter: Monday, September 4, 2023. The winner will be notified by email on September 6.
Put my creations on your desktop, tablet or phone. Download wallpapers by clicking on the images below (fits screens up to 2560 wide). [This is a benefit for people who’ve signed up for my artist updates. I invite you to sign up, too! Learn more here.]
Inspiration
Arnold
Yes, the bodybuilder / actor / politician.
I’ll let you in on a secret: I’ve been grappling with my determination to succeed as an artist, coupled with my age. Since I have a long history exploring personal productivity, I came to the realization that I need to create a clear vision. Coincidentally, that same day I sat down and watched the first episode of the current mini-docuseries “Arnold,” which turned out to be just what I needed for inspiration.
I know enough about success to know Arnold Schwarzenegger is an outlier. Not only was he talented and determined at a very young age, but he was also incredibly lucky. That said, none of his success would have come about if he hadn’t started with his vision:
“My confidence came from my vision. . . . I am a big believer that if you have a very clear vision of where you want to go, then the rest of it is much easier. Because you always know why you are … pushing and going through the pain barrier, and … why you have to struggle more, and why you have to be more disciplined … I felt that I could win it, and that was what I was there for. I wasn’t there to compete. I was there to win.”
— Arnold Schwarzenegger, on the Tim Ferriss Show Podcast
I am also here to win. Therefore, I wrote the following audacious and determined vision statement:
My Artist’s Vision
To be an exceptional, remarkably successful ARTIST. I will dominate with grace. Nothing will interfere! Nothing will dissuade me. I will not compromise. I will revel in the process. I will see defeats as momentary, and turn them into wins. I will only perform my best. I will make my way and I will meet my goal!
Note: When I shared this with friends, one asked, “what about making money?” Rest assured, when I say successful, that includes making a living creating art. I do not shy away from the business side of my chosen profession.
With my clear vision written, I have begun to speak it aloud to myself, daily. I will make my way and I will meet my goal!
Remedios Varo
Two weeks ago, I discovered the late surrealist painter Remedios Varo (Wikipedia). Originally from Spain, she spent time in France, and the last 20 years of her life in Mexico, where she is well known.
This article on Varo piqued my curiosity with its discussion about her varied techniques, three I’d not heard of—decalcomania, grattage, and soufflage—but also inlay and (ta da!) textured gesso.
Since I’ve been playing with textured gesso, I am curious about other less-common ways I can affect the surface and texture of my artworks. Therefore, I have already received and started devouring the companion book, from the current show at the Art Institute of Chicago.
Challenges
“There are two muses: the Muse of Inspiration, who gives us inarticulate visions and desires, and the Muse of Realization, who returns again and again to say “It is more difficult than you thought.” This is the muse of form. It may be then that form serves us best when it works as an obstruction. When we no longer know what to do, we have come to our real work and when we no longer know which way to go, we have begun our real journey. The impeded stream is the one that sings.”
― Wendell Berry
Truly, I don’t know which way to go, next. My journey has begun.
Blog posts in the last month:
You Always Wanted to Be an Artist – During this process of unlocking myself as an artist, I wrote this joyous plea to myself. In it, I remember how good it felt to be a creative child, and to be spellbound by both seeing and creating art.
Memento, a Poem – This short poem was inspired by something remarkable. Written in response to a creative writing prompt—anything in 50 words, using the term “gossamer”—I include the back-story, too.
Techniques
For artists:
Working Safely with Pastels – A no-nonsense, straightforward guide to working safely with soft (chalk) pastels. I cut through conflicting information, draw on safety data from several pastel brands, and offer an inexpensive, highly effective solution for airborne pastel dust.
Make Pastel Sticks from Broken Pastels – Artist Tip! Did you know you can collect pastel dust and broken bits, and easily re-form sticks with it? Here’s a quick DIY guide on how to make pastel sticks from broken pastels.
Experimenting with Painting on Photos: Pt. 4 – In my fourth set of experiments with painting over fine art photographs, I had fun applying pastels to layers of gesso, textured in interesting ways with a heat gun. Learn about the process and my key takeaways.
I Appreciate You!
Don’t forget to reply with your painting title idea(s), or simply the word “raffle” to enter!
Thanks for reading. Feel free to reply to this email with questions or comments. It’s great that you let me keep in touch with you!
Writer Ray Bradbury titled one of his short stories, “The Golden Apples of the Sun,” a lyrical line that has danced in my head for as long as I can remember. It comes from William Butler Yeats’ poem The Song of Wandering Aengus. Yeats composed three beautiful, short stanzas to describe a life of yearning, striving, and searching, all for an elusive desire.
Like the character Aengus, I’ve carried a lifetime of longing for a single thing: I’ve always wanted to be an artist.
During this process of unlocking myself as an artist, last November I wrote the following joyous plea to myself. In it, I remember how good it felt to be a creative child, and to be spellbound by both seeing and creating art.
You Always Wanted to Be an Artist
Right? So why aren’t you being one? Photography is great, it’s an art, you love it, you’re good at it … But I expect more from you.
1
Painting, love you long time.
Since your youth, you’ve admired painters. As a teen, you read their diaries and writings, And spent your weekends—not at parties—but at Art museums and galleries, looking at paintings. On your wall, you hung posters and post cards of, yes, paintings.
Then, you stole a book. Sort of. It was the first library book about the Impressionists you saw, And you didn’t return it. (Paying for it later, it still sits on your shelf.) When new exhibits came around, you were there, Eating all the beauty and wonder with your eyes. You looked at every single piece of art In every single museum Available to you, Repeatedly. You made an effort to understand modern art, Even when you couldn’t.
2
You have always wanted to be an artist. (Also, a poet, a writer, a dancer, even an actor.) But you’ve always wanted to use your hands To make art. To lose yourself in making art. You used to do that, remember? Remember that feeling of being lost in creating. Before judgement, And before insecure people visited their shortcomings on you. (Before the jealous friend made you hide your light, And an ex told you weren’t being an artist the right way—as if! Before you learned how little most artists make, And before, before …) Forget all that!
Remember these instead: Being a child lost in drawing, coloring books, paint-by-numbers, And book-corner animations. Those times when You copied drawings, drew animals from photos; Drew what you saw at church, instead of listening. Drew from sculptures and paintings. Painted from paintings. Photographed paintings…
Set aside persecution, cast off doubt. Step away from the experiences and people That drove you away from something you loved —And still love— Though it might seem hard to find that love Without shame and fear of judgement. But! The creative person inside loves you, and is smiling. She remembers that pleasure of losing yourself By immersing yourself in art.
3
Remember, too, what you mused over as a child? The things your mind and imagination touched on, Ruminated over, wondered about?
It’s time to touch base with that musing nature again. To be free to meander and Look and muse, explore and muse, Walk and muse, read and muse, Just to look at things, Look look look and muse. Find your muse. To rediscover your many muses, work with them, Let them stir you, rouse you.
After all, you’ve always wanted to be an artist.
I know you can remember that feeling, Finding wonder in the things surrounding you. Light bouncing golden off the pavement, And how it glowed on a wall. The sound of rustling leaves, and wondering, What does the source of the wind looked like? A turn of phrase in a book that carried you, Inspired, into a daydream. That is what it was like, To be lost in creating. It was sensual, magical, mystical, delightful. Remember that feeling. Nurture it. Imagine it! FEEL IT!
4
You loved it. While creating, time was timeless. You were in the moment, Not in any story Other than the story of the moment.
That moment was golden, innocent, Connected to nothing but self and doing, Doing and ether, ether and mystery, the mystery of how. How the ability came, how the inspiration arrived, How the marks made the results.
Because it is a mystery, it’s a knowing without knowing how. You’ve known it was born in you, never to be taken away, Something that will live in you for as long as you live. And because of your knowledge now, you know it’s Part of ancestry, a thread that goes back beyond history.
No wonder you always wanted to be an artist! So now that you can remember, It’s nearing the time to work through what’s happened, One way or another. To pull that thread through the eye, Unravel the knot that blocks its passage, Do what it takes to see your imagination and creation come forth. And, soon enough, it will be time to do the work. So…
Remember.
Then work through.
Then do the work.
One step at a time, though.
Right now, let’s just remember that ART FEELS GOOD.
After Being Reminded that I Always Wanted to Be an Artist
The night I wrote that, I slept like a baby.
Subsequently, I’ve done a lot more writing, which has taken me back to good memories, times I felt connected, safe, and loved. Conversely, I’ve recalled difficulties, explored why I’ve been stuck, and scribbled or typed raw expressions of frustration. Sometimes I’ve ruminated on the quizzical nature of other people, and their impacts on me.
These forays into the past have often been streams of consciousness, letting whatever-it-is pour out of me, going wherever it will, and carrying me along.
Surprisingly, expressing myself to myself has proven to be less emotionally heavy than I had feared. For years, decades, I’d shy away because I thought something dark would come out.
Instead, I’m finding light. Often I feel energized rather than dragged down, even in the midst of revisiting negative experiences. Within, there is a sense of fortitude and healing.
Best of all, I feel movement, and that movement is forward.
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